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Titre : Why Animators Should Draw Facial Expressions
link : Why Animators Should Draw Facial Expressions

Why Animators Should Draw Facial Expressions

Copy an Emoji

3D animators don't necessarily need strong drawings skills (I know many excellent 3D animators who don't draw well at all), but an ability to draw at least a little bit does help, especially for creating rough thumbnail sketches to plan out your animation.

One of the most common mistakes made by student animators is to leave out the facial expressions on their thumbnail sketches. You'd think that it would be obvious to include facial expressions, but many students don't - probably because faces can seem hard to draw.

In fact, adding rough facial expressions doesn't need to be that difficult. Think of the emotion you want to convey, and then copy an emoji. Is the character happy? Sad? Angry? There's an emoji online for every expression.

Thumbnail sketches with body expressions only

Thumbnailing a shot is one of the most important stages in the animation process.

Many students feel anxious about their drawing skills and, since faces can seem hard to draw, they often leave them out. But the face is important - it's what gives our character their attitude and personality.

To the right is a series of thumbnail sketches with body expressions that are mostly pretty good. But the artist has left off the face, so we really don't know what the character is thinking and feeling.

The problem with this is that, when you go into Maya and start to craft poses, you have nothing to work from, so the shot is likely to feel underdeveloped.

The solution is simple. Write down what the character is thinking and feeling. Are they angry? Are they sad? Google an emoji that matched the emotion you want to convey, and then copy it. Simple expressions that convey an emotion aren't that hard to draw, and it will help make your thumbnail sketches much, much more useful in planning your animation.

Below are some of my thumbnail sketches from Robots, a project I worked on back in 2004 (it was my first proper experience with CG). The key thing in the shot was to try to find the right body poses and facial expression for Mrs Copperbottom, who is feeling ashamed that she can't afford to buy her son decent clothes. Her expression is one of anxiety and shame.

The secret of good animation generally lies in the planning. If you get your thumbnail sketches right, and plan the shot thoroughly, you'll generally find that the animation itself is a breeze.

The shot of Mrs Copperbottom came out well, though that didn't mean it made it into the movie. Like many, many other shots, it got cut out during the drastic late re-writes of the film.

But that's another story.

---Alex

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