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Hammer's House of Horror Part I: The Classic Years 1956–1967 at the Quad

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    Hammer's House of Horror Part I: The Classic Years 1956–1967 at the Quad

    May 30 - June 19


    It's a chilling season at the Quad! Brace yourself for mummies, vampires, werewolves, and more with our extensive two-part retrospective celebrating Britain's genre studio powerhouse, Hammer Films

    With 32 titles in the first installment (22 on 35mm), including Frankenstein Created Woman, The Curse of Frankenstein, Dracula: Prince of Darkness, and The Quatermass Experiment

    Look forward to Part II (1967-76) this July, with highlights including: Frankenstein and the Monster from Hell, Dr. Jekyll & Sister Hyde, and The Vampire Lovers

    Throughout film history, many countries have had their own point-of-pride movie studios; Britain can claim several, whether as backlots or sites of creative capital. In Hammer Films, a genre-oriented counterpart to Ealing Films, the UK could boast of one with all that and more; Hammer’s output in the second half of the 20th century sent aesthetic and sensory frissons throughout the nation while influencing pop culture and world cinema. Although synonymous with horror, the Hammer library was stocked from the beginning with films of all kinds. Founded in November 1934 as Hammer Film Productions and based in London, the studio came out of the gate with dramas and then specialized in “B” pictures and homegrown tales, pausing only for WWII. A turning point came in the mid-1950s with a move into genre fare with an accent on the Gothic, and this first crop of titles in the Quad’s extensive two-part Hammer retrospective demonstrates that—as Universal Pictures had found in the 1930s—famous monsters were a good (and generally inexpensive) way to expand your industry footprint. Hammer finally made its first color movie in 1954; a good thing, too, since what would the next quarter-century of movies have been like without all that scarlet sanguinary screen imagery?

    "If we saw the logo of Hammer Films, we knew it was a very special picture. We knew it was a certain kind of film. A surprising experience, usually—and shocking." — Martin Scorsese

    The Abominable Snowman
    Val Guest, 1957, UK, 91m, 35mm

    The Brides of Dracula
    Terence Fisher, 1960, UK, 85m, 35mm

    The Camp on Blood Island
    Val Guest, 1958, UK, 82m, 35mm

    Cash on Demand
    Quentin Lawrence, 1961, UK, 89m, 35mm

    The Curse of Frankenstein
    Terence Fisher, 1957, UK, 83m, 35mm

    The Curse of the Mummy's Tomb
    Michael Carreras, 1964, UK, 81m, 35mm

    The Curse of the Werewolf
    Terence Fisher, 1961, UK, 93m, DCP

    The Damned (aka These Are the Damned)
    Joseph Losey, 1962, UK, 96m, DCP

    The Devil Rides Out (aka The Devil's Bride)
    Terence Fisher, 1968, UK, 95m, 16mm

    Dracula: Prince of Darkness
    Terence Fisher, 1966, UK, 90m, 35mm

    The Evil of Frankenstein
    Freddie Francis, 1964, UK, 84m, 16mm

    Fanatic (aka Die! Die! My Darling)
    Silvio Narizzano, 1965, UK, 97m, 35mm

    Frankenstein Created Woman
    Terence Fisher, 1967, UK, 92m, 35mm

    The Gorgon
    Terence Fisher, 1964, UK, 83m, DCP

    Horror of Dracula
    Terence Fisher, 1958, UK, 82m, 35mm

    The Hound of the Baskervilles
    Terence Fisher, 1959, UK, 87m, 16mm

    Hysteria
    Freddie Francis, 1965, UK, 85m, 16mm

    The Mummy
    Terence Fisher, 1959, UK, 88m, 35mm

    The Nanny
    Ian Holt, 1965, UK, 93m, 16mm

    Never Take Sweets from a Stranger
    Cyril Frankel, 1960, UK, 91m, 35mm

    One Million Years B.C.
    Don Chaffey, 1966, UK, 100m, DCP

    The Phantom of the Opera
    Terence Fisher, 1962, UK, 84m, 35mm

    The Pirates of Blood River
    John Gilling, 1962, UK, 87m, 35mm

    Quatermass and the Pit (aka Five Million Years to Earth)
    Roy Ward Baker, 1967, UK, 98m, 35mm

    The Quatermass Experiment
    Val Guest, 1955, UK, 82m, 35mm

    Rasputin: The Mad Monk
    Don Sharp, 1966, UK, 92m, 35mm

    The Revenge of Frankenstein
    Terence Fisher, 1958, UK, 91m, 35mm

    The Stranglers of Bombay
    Terence Fisher, 1959, UK, 80m, 35mm

    Ten Seconds to Hell
    Robert Aldrich, 1959, UK/US/West Germany, 93m, 35mm

    The Two Faces of Dr. Jekyll
    Terence Fisher, 1960, UK, 88m, 35mm

    X—The Unknown
    Leslie Norman, 1956, UK, 81m, 16mm

    Yesterday's Enemy
    Val Guest, 1959, UK, 95m, 35mm


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